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It is no surprise that that ATMOS is taking the music industry by storm. With great sound, great flexibility and even the possibility to reimagine established titles, ATMOS is music\u2019s new best friend!<\/strong><\/p>\n Multi-platinum producer Max Oude Weernink has been working for Dolby ATMOS for some time now, but not having his own rig, it was quite difficult to judge the final product after mixing and mastering by his awesome collaborators. He had to drive more than 50 km to someone else\u2019s studio to check the final master and to ensure everything is exactly how it should be.<\/p>\n Now, Max has his own ATMOS rig with the help of our Audient ORIA. The thing is that Max had been looking for a way to experiment with Dolby Atmos for a while, but the costs had been prohibitive. \u201cI did see producers making it possible for themselves, but I still didn\u2019t believe that it should cost so much. The speakers they\u2019re using, the converters \u2013 every element was expensive.\u201d Discovering ORIA, the audio interface and monitor controller was the turning point. \u201cI realized that what Audient has here is the whole solution. This saves me all the money I need to save and now I can actually try Dolby Atmos for myself!\u201d<\/p>\n Max \u2013 aka MOW Music \u2013 is responsible for a multitude of chart-topping records worldwide. His keen ear and cutting-edge productions with the likes of Ti\u00ebsto, Gucci Mane, Yellow Claw, Ty Dolla Sign, Tyga, DJ Mustard, DIPLO, Afrojack, Lil Xan and Imanbek have amassed over 2.000.000.000 Spotify streams.<\/p>\n