{"id":16044,"date":"2018-12-18T09:00:45","date_gmt":"2018-12-18T09:00:45","guid":{"rendered":"https:\/\/atdb-production.studiograft.dev\/de\/?p=16044"},"modified":"2023-04-03T17:09:19","modified_gmt":"2023-04-03T16:09:19","slug":"der-schottische-saenger-fish-auf-europatour-mit-allen-heath-sq-6","status":"publish","type":"post","link":"https:\/\/distribution.audio-technica.eu\/de-de\/news\/der-schottische-saenger-fish-auf-europatour-mit-allen-heath-sq-6\/","title":{"rendered":"Der schottische S\u00e4nger Fish auf Europatour mit Allen & Heath SQ-6"},"content":{"rendered":"

[fusion_builder_container hundred_percent=“no“ equal_height_columns=“no“ menu_anchor=““ hide_on_mobile=“small-visibility,medium-visibility,large-visibility“ class=““ id=““ background_color=““ background_image=““ background_position=“center center“ background_repeat=“no-repeat“ fade=“no“ background_parallax=“none“ parallax_speed=“0.3″ video_mp4=““ video_webm=““ video_ogv=““ video_url=““ video_aspect_ratio=“16:9″ video_loop=“yes“ video_mute=“yes“ overlay_color=““ video_preview_image=““ border_size=““ border_color=““ border_style=“solid“ padding_top=““ padding_bottom=““ padding_left=““ padding_right=““][fusion_builder_row][fusion_builder_column type=“1_1″ layout=“1_1″ background_position=“left top“ background_color=““ border_size=““ border_color=““ border_style=“solid“ border_position=“all“ spacing=“yes“ background_image=““ background_repeat=“no-repeat“ padding_top=““ padding_right=““ padding_bottom=““ padding_left=““ margin_top=“0px“ margin_bottom=“0px“ class=““ id=““ animation_type=““ animation_speed=“0.3″ animation_direction=“left“ hide_on_mobile=“small-visibility,medium-visibility,large-visibility“ center_content=“no“ last=“no“ min_height=““ hover_type=“none“ link=““][fusion_text columns=““ column_min_width=““ column_spacing=““ rule_style=“default“ rule_size=““ rule_color=““ class=““ id=““]<\/p>\n

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Der schottische S\u00e4nger\u00a0<\/span>Fish<\/span>\u00a0setzt auf seiner<\/span>\u00a0<\/span>Clubtour quer durch Europa auf\u00a0<\/span>ein SQ-6 System<\/span>\u00a0von Allen & Heath<\/span>\u00a0als\u00a0<\/span>FOH<\/span>– und Monitorpult<\/span>.<\/span>\u00a0<\/span><\/p>\n

Viel<\/span>en wird\u00a0<\/span>Fish<\/span>\u00a0<\/span>vor allem als Frontmann und S\u00e4nger der Band\u00a0<\/span>Marillion<\/span>\u00a0<\/span>im Ged\u00e4chtnis geblieben sein, die er 1988 verlie\u00df, um eine Solokarriere zu verfolgen.<\/span>\u00a0Seitdem hat er neben regelm\u00e4\u00dfigen Albumver\u00f6f<\/span>fentlichungen auch immer wieder\u00a0<\/span>live\u00a0<\/span>mit seiner charismatischen B\u00fchnenpr\u00e4senz das Publikum begeistert.<\/span>\u00a0Auf d<\/span>er aktuellen Tour quer durch Europa stellt er sein neues Album \u201eWeltschmerz\u201c vor.<\/span>\u00a0<\/span><\/p>\n

Verantwortlich f\u00fcr den\u00a0<\/span>Live-Sound von\u00a0<\/span>Fish<\/span>\u00a0ist FOH- und Monitor-Engineer Steven Kent, der eine\u00a0<\/span>SQ-6<\/span>-Konsole von Allen & Heath als<\/span>\u00a0FOH<\/span>– und Monitorpult einsetzt. Auf der B\u00fchne kommen zus\u00e4tzlich\u00a0<\/span>je\u00a0<\/span>ein AR2412 und AR84\u00a0<\/span>AudioRack<\/span>\u00a0als\u00a0<\/span>Stageboxen<\/span>\u00a0zum Einsatz. Die<\/span>\u00a0SQ-6\u00a0<\/span>ist\u00a0<\/span>zus\u00e4tzlich\u00a0<\/span>mit einer\u00a0<\/span>Waves<\/span>-Karte ausgestattet, die die Einbindung spezieller Effekte bei niedriger Latenz \u00fcber ein\u00a0<\/span>Waves<\/span>\u00a0<\/span>SoundGrid<\/span>\u00a0System erm\u00f6glicht.<\/span>\u00a0<\/span><\/p>\n

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\u201eDie<\/span>\u00a0gro\u00dfe Herausforderung\u00a0<\/span>f\u00fcr mich ist, dass ich\u00a0<\/span>auf der Tour\u00a0<\/span>Front\u00a0<\/span>of<\/span>\u00a0House und<\/span>\u00a0Monitoring der Band von der gleichen Konsole aus mische\u201c, erkl\u00e4rt Kent. \u201eEinige Musiker nutzen In-<\/span>Ear<\/span>-Monitoring, andere traditionelle\u00a0<\/span>Wedges<\/span>, auf der B\u00fchne gibt es also eine wilde Mischung verschiedener Signale<\/span>.\u00a0<\/span>Und das alle<\/span>s mit<\/span>\u00a0meiner kompakten\u00a0<\/span>SQ-6\u00a0<\/span>steuern und verteilen zu k\u00f6nnen ist wirklich fantastisch.\u201c<\/span>\u00a0<\/span><\/p>\n

„Da wir auf der B\u00fchne das\u00a0<\/span>ME-1 Personal Mixing\u00a0<\/span>S<\/span>ystem\u00a0<\/span>benutzen wird mir schon mal ein ganzes St\u00fcck Arbeit abgenommen“<\/span>,\u00a0<\/span>erkl\u00e4rt Kent weiter. \u201eDie Musiker k\u00f6nnen ihren Monitormix ganz einfach selber\u00a0<\/span>einstellen<\/span>,<\/span>\u00a0ohne mich st\u00e4ndig\u00a0<\/span>fragen<\/span>\u00a0<\/span>zu m\u00fcssen\u00a0<\/span>und k\u00f6nnen sich so ganz auf ihren Sound und ihre Performance auf der B\u00fchne konzentrieren.\u201c<\/span>\u00a0<\/span><\/p>\n

Direkt vor der Tour\u00a0<\/span>konnte Kent noch die neuen DEEP<\/span>–<\/span>P<\/span>lug-ins<\/span>\u00a0f\u00fcr SQ installieren und freute sich sofort \u00fcber die gro\u00dfe Verbesserung des Livesounds\u00a0<\/span>und das positive Feedback\u00a0<\/span>der Band.<\/span>\u00a0<\/span><\/p>\n

\"\"<\/p>\n

„<\/span>Ich setze den 16T\u00a0<\/span>C<\/span>ompressor<\/span>\u00a0<\/span>Limiter<\/span>\u00a0vor allem f\u00fcr die\u00a0<\/span>Kick<\/span>dru<\/span>m<\/span>\u00a0und den B<\/span>ass\u00a0<\/span>ein und alles klingt seitdem kompakter und knackiger\u201c, so Kent. \u201eAuf den Vocals und Akustikgitarren nutze ich<\/span>\u00a0<\/span>den Peak\u00a0<\/span>Limiter<\/span>\u00a076. Gerade bei den Gitarren haben wir lange mit dem Sound gek\u00e4mpft<\/span>\u00a0und waren mit normaler Kompression und\u00a0<\/span>EQing<\/span>\u00a0<\/span>nie zufrieden.<\/span>\u00a0Sobald wir aber den<\/span>\u00a0<\/span>76<\/span>\u00a0hatten<\/span>\u00a0klang alles sofort\u00a0<\/span>genauso<\/span>, wie wir es uns vorgestellt hatten.<\/span>\u00a0<\/span>Einer meiner Lieblinge ist auch der<\/span>\u00a0<\/span>Mighty<\/span>\u00a0<\/span>Compressor<\/span>,\u00a0<\/span>der die Transienten auf den Drum<\/span>-G<\/span>ruppen betont und so richtig Punch in den Mix bringt.\u201c<\/span>\u00a0<\/span><\/p>\n

Nach der Tour wird die SQ-6-Konsole wieder ihrer zweiten Bestimmung zugef\u00fchrt \u2013 als Studio-Konsole in\u00a0<\/span>Fishs<\/span>\u00a0eigenem Recording-Studio, wo sie als Frontend f\u00fcr die DAW dient und gleichzeitig USB-Interface, DAW- und Monitor-Controller ist.<\/span>\u00a0<\/span><\/p>\n

www.allen-heath.com<\/span><\/a>\u202f<\/span>\u00a0<\/span><\/p>\n

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