{"id":16077,"date":"2019-04-11T09:00:21","date_gmt":"2019-04-11T08:00:21","guid":{"rendered":"https:\/\/atdb-production.studiograft.dev\/de\/?p=16077"},"modified":"2023-04-03T17:09:19","modified_gmt":"2023-04-03T16:09:19","slug":"punk-4-0-wizo-auf-tour-mit-allen-heath-dlive","status":"publish","type":"post","link":"https:\/\/distribution.audio-technica.eu\/de-de\/news\/punk-4-0-wizo-auf-tour-mit-allen-heath-dlive\/","title":{"rendered":"Punk 4.0 \u2013 WIZO auf Tour mit Allen & Heath dLive"},"content":{"rendered":"

[fusion_builder_container hundred_percent=“no“ equal_height_columns=“no“ menu_anchor=““ hide_on_mobile=“small-visibility,medium-visibility,large-visibility“ class=““ id=““ background_color=““ background_image=““ background_position=“center center“ background_repeat=“no-repeat“ fade=“no“ background_parallax=“none“ parallax_speed=“0.3″ video_mp4=““ video_webm=““ video_ogv=““ video_url=““ video_aspect_ratio=“16:9″ video_loop=“yes“ video_mute=“yes“ overlay_color=““ video_preview_image=““ border_size=““ border_color=““ border_style=“solid“ padding_top=““ padding_bottom=““ padding_left=““ padding_right=““][fusion_builder_row][fusion_builder_column type=“1_1″ layout=“1_1″ background_position=“left top“ background_color=““ border_size=““ border_color=““ border_style=“solid“ border_position=“all“ spacing=“yes“ background_image=““ background_repeat=“no-repeat“ padding_top=““ padding_right=““ padding_bottom=““ padding_left=““ margin_top=“0px“ margin_bottom=“0px“ class=““ id=““ animation_type=““ animation_speed=“0.3″ animation_direction=“left“ hide_on_mobile=“small-visibility,medium-visibility,large-visibility“ center_content=“no“ last=“no“ min_height=““ hover_type=“none“ link=““][fusion_text columns=““ column_min_width=““ column_spacing=““ rule_style=“default“ rule_size=““ rule_color=““ class=““ id=““]<\/p>\n

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Die Sindelfinger\u00a0<\/span>Band WIZO geh\u00f6rt zu den Urgesteinen der deutschen<\/span>\u00a0Punk-Szene. Seit 30 Jahren unerm\u00fcdlich auf den B\u00fchnen des Landes unterwegs, setzen sie bei ihrer aktuellen Tour auf ein\u00a0<\/span>dLive<\/span>-System von Allen & Heath.\u00a0<\/span><\/p>\n

Verantwortlich f\u00fcr den Sound von WIZO<\/span>\u202f<\/span>ist Falk Gruber, der die Band seit vielen Jahren als FOH-Engineer betreut.<\/span>\u00a0<\/span><\/p>\n

\u201eUnser\u00a0<\/span>Tourleben<\/span>\u00a0f<\/span>r\u00fcher war\u00a0<\/span>vor allem eins \u2013 m\u00fchsam\u201c, l<\/span>acht Gruber. \u201eEwige<\/span>\u00a0Soundcheck<\/span>s<\/span>, st\u00e4ndig andere FOH-Konsolen,\u00a0<\/span>mal mehr<\/span>,<\/span>\u00a0mal weniger gut funktionierendes Outboard<\/span>–<\/span>Equipment und\u00a0<\/span>ein\u00a0<\/span>immer unterschiedlicher<\/span>\u00a0Monitorsound<\/span>. Unser Ziel war es<\/span>,<\/span>\u00a0die\u00a0<\/span>Produktion auf ein Minimum<\/span>\u00a0an Technik<\/span>\u00a0zu reduzieren und die Auf- und Abbauzeiten sowie den Soundcheck zu optimieren,\u00a0<\/span>um m\u00f6glichst viel Energie, Spa\u00df und Performance f\u00fcr die eigentliche Show zu h<\/span>aben. Heute brauchen wir vom Load-In bis zum Ende des Soundchecks gerade mal zwei Stunden.\u201c<\/span>\u00a0<\/span><\/p>\n

Zum Einsatz kommen eine\u00a0<\/span>dLive<\/span>\u00a0S7000 Surface als FOH-Konsole sowie ein DM32\u00a0<\/span>MixRack<\/span>\u00a0auf der B\u00fchne.\u00a0<\/span>Die 32 Kan\u00e4le werden intern gesplittet, die Kan\u00e4le 1<\/span>\u00a0<\/span>–<\/span>\u00a0<\/span>32 stehen dabei f\u00fcr den FOH-Mix zur Verf\u00fcgung, die Kan\u00e4le 51<\/span>\u00a0<\/span>–<\/span>\u00a0<\/span>82 sind f\u00fcr das In-<\/span>Ear<\/span>-Monitoring reserviert. Alle Musiker verwenden auf der B\u00fchne IP6 Personal Monitor Mixer, mit denen sie sich ihren individuellen Monitor-Mix selber einstellen k\u00f6nnen.<\/span>\u00a0<\/span><\/p>\n

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\u201eIch komme noch aus der analogen Zeit und habe mich lange nicht mit digitalen Systemen anfreunden k\u00f6nnen\u201c, erkl\u00e4rt Gruber. \u201eDie\u00a0<\/span>dLive<\/span>\u00a0erlaubt mir, mein analoges Denken auf ein digitales System zu \u00fcbertragen. Die Bedienung ist wirklich intuitiv und ich kann mir die Konsole wie eine alte Analoge konfigurieren. Auch der harsche digitale Sound, den ich fr\u00fcher oft bem\u00e4ngelt habe, geh\u00f6rt hier der Vergangenheit an.\u201c<\/span>\u00a0<\/span><\/p>\n

\u201eFantastisch sind nat\u00fcrlich d<\/span>as\u00a0<\/span>Rout<\/span>ing<\/span>\u00a0<\/span>und\u00a0<\/span>die<\/span>\u00a0<\/span>Effektm\u00f6glichkeiten\u201c, so Gruber weiter. \u201eJede Menge verschiedener Kompressoren direkt in den Kan\u00e4len und Grafik-EQs in den Ausspielwegen ohne auf die Rack FX zur\u00fcckgreifen zu m\u00fcssen, viele Subgruppen, die ich noch mal komprimieren kann \u2013 das ist schon sehr luxuri\u00f6s. Ich bin auch ein ganz gro\u00dfer Fan der Multiband-Kompressoren der\u00a0<\/span>dLive<\/span>.<\/span>\u00a0<\/span><\/p>\n

Alles in allem das perfekte digitale System f\u00fcr Leute meiner Generation<\/span>.<\/span>\u00a0Und auch die obligatorischen Bierduschen hat\u00a0<\/span>dLive<\/span>\u00a0bisher ohne bleibende Sch\u00e4den \u00fcberstanden…\u201c<\/span>\u00a0<\/span><\/p>\n

www.allen-heath.com<\/span><\/a>\u00a0<\/span><\/p>\n

[\/fusion_text][\/fusion_builder_column][\/fusion_builder_row][\/fusion_builder_container]<\/p>\n","protected":false},"excerpt":{"rendered":"

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