{"id":16083,"date":"2019-11-12T14:40:22","date_gmt":"2019-11-12T14:40:22","guid":{"rendered":"https:\/\/atdb-production.studiograft.dev\/de\/?p=16083"},"modified":"2023-04-04T11:17:06","modified_gmt":"2023-04-04T10:17:06","slug":"martin-audio-sorgt-fuer-den-richtigen-sound-bei-level-42","status":"publish","type":"post","link":"https:\/\/distribution.audio-technica.eu\/de-de\/news\/martin-audio-sorgt-fuer-den-richtigen-sound-bei-level-42\/","title":{"rendered":"Martin Audio sorgt f\u00fcr den richtigen Sound bei Level 42"},"content":{"rendered":"

[fusion_builder_container hundred_percent=“no“ equal_height_columns=“no“ menu_anchor=““ hide_on_mobile=“small-visibility,medium-visibility,large-visibility“ class=““ id=““ background_color=““ background_image=““ background_position=“center center“ background_repeat=“no-repeat“ fade=“no“ background_parallax=“none“ parallax_speed=“0.3″ video_mp4=““ video_webm=““ video_ogv=““ video_url=““ video_aspect_ratio=“16:9″ video_loop=“yes“ video_mute=“yes“ overlay_color=““ video_preview_image=““ border_size=““ border_color=““ border_style=“solid“ padding_top=““ padding_bottom=““ padding_left=““ padding_right=““][fusion_builder_row][fusion_builder_column type=“1_1″ layout=“1_1″ background_position=“left top“ background_color=““ border_size=““ border_color=““ border_style=“solid“ border_position=“all“ spacing=“yes“ background_image=““ background_repeat=“no-repeat“ padding_top=““ padding_right=““ padding_bottom=““ padding_left=““ margin_top=“0px“ margin_bottom=“0px“ class=““ id=““ animation_type=““ animation_speed=“0.3″ animation_direction=“left“ hide_on_mobile=“small-visibility,medium-visibility,large-visibility“ center_content=“no“ last=“no“ min_height=““ hover_type=“none“ link=““][fusion_imageframe image_id=“16132″ max_width=““ style_type=“none“ stylecolor=““ hover_type=“none“ bordersize=“10″ bordercolor=“#ffffff“ borderradius=““ align=“center“ lightbox=“no“ gallery_id=““ lightbox_image=““ alt=““ link=““ linktarget=“_self“ hide_on_mobile=“small-visibility,medium-visibility,large-visibility“ class=““ id=““ animation_type=““ animation_direction=“left“ animation_speed=“0.3″ animation_offset=““]https:\/\/distribution.audio-technica.eu\/de\/wp-content\/uploads\/sites\/6\/Level42_Martin-Audio-1-600×399.jpeg[\/fusion_imageframe][fusion_text]<\/p>\n

F\u00fcr die Beschallung des Konzerts der Band<\/span>\u00a0Level 42 im K\u00f6lner E-Werk\u00a0<\/span>kamen\u00a0<\/span>Line-Arrays\u00a0<\/span>der\u00a0<\/span>Wavefront<\/span>\u00a0Precision-<\/span>Serie von\u00a0<\/span>Martin Audio zum Einsatz<\/span>.<\/span>\u00a0<\/span><\/p>\n

Die britische Band Level 42 f\u00fcllt auch\u00a0<\/span>nach\u00a0<\/span>40 Jahre<\/span>n<\/span>\u00a0mit ihrer<\/span>\u00a0Mischung aus Pop, Funk und<\/span>\u00a0Jazz die Hallen\u00a0<\/span>weltweit.\u00a0 Auf ihrer aktuellen\u00a0<\/span>\u201e<\/span>Eternity<\/span>\u201c-<\/span>Tour spielten sie das einzige Konzert in Deutschland im K\u00f6lner E-Werk.<\/span>\u00a0<\/span><\/p>\n

Realisiert wurde die technische Umsetzung<\/span>\u00a0des Konzert<\/span>s<\/span>\u00a0von der Firma Event- & Veranstaltungstechnik\u00a0<\/span>Enchelmaier<\/span>\u00a0aus B<\/span>endorf<\/span>, die f\u00fcr die Beschallung<\/span>\u00a0mi<\/span>t\u00a0<\/span>dem\u00a0<\/span>Wavefront<\/span>\u00a0<\/span>Precision<\/span>\u00a0Compact\u00a0<\/span>(WPC)\u00a0<\/span>System<\/span>\u00a0<\/span>von Martin Audio<\/span>\u00a0arbeitete<\/span>.<\/span>\u00a0<\/span><\/p>\n

Zum\u00a0<\/span>Einsatz kamen<\/span>\u00a0je acht\u00a0<\/span>WPC-<\/span>Elemente pro Seite,\u00a0<\/span>sowie acht SX218 Subwoofer, die\u00a0<\/span>paarweise vor d<\/span>er B\u00fchne\u00a0<\/span>ges<\/span>t<\/span>a<\/span>ckt<\/span>\u00a0wurden<\/span>.<\/span>\u00a0Angetrieben wu<\/span>rden die Lautsprec<\/span>her von\u00a0<\/span>iK42-<\/span>Endstufen, zur Kontrolle<\/span>\u00a0und Fernsteuerung\u00a0<\/span>diente<\/span>\u00a0die hauseigene\u00a0<\/span>VU-Net-Software<\/span>.<\/span>\u00a0<\/span><\/p>\n

\u201e<\/span>Mit dem WPC kann ich das Arrayverhalten sehr gut kontrollieren und die Aufl\u00f6sung an die Anforderungen von Band, Veranstalter und Location\u00a0<\/span>exakt\u00a0<\/span>anpassen<\/span>\u201c<\/span>, erkl\u00e4rt Gesch\u00e4ftsf\u00fchrer Michael Enchelmaier.<\/span>\u00a0\u201e<\/span>Bei Level 42 haben wir\u00a0<\/span>das WPC in einer 2-Box-Solution gefahren, sodass jeweils zwei WPCs ein Zwei-Wege-Signal erhalten. So erhalten wir eine sehr gute Coverage auf allen Pl\u00e4tzen.<\/span>\u201c<\/span>\u00a0<\/span><\/p>\n

Der Vorteil der\u00a0<\/span>Wavefront<\/span>\u00a0Pr<\/span>ecision-Serie liegt zum einem im<\/span>\u00a0modularen Aufbau, zum anderen in der sehr guten Skalierbarkeit. Die Serie umfasst insgesamt vier Modelle, von 6,5\u201c bis 12\u201c, um unterschiedliche Veranstaltungsgr\u00f6\u00dfen zu bespielen. Dank des modularen Aufbaus kann der Anwender beim Set-Up selber entscheiden, welche der unterschiedlichen L\u00f6sungsans\u00e4tze am besten passt. In der One-Box-Solution bekommt jedes Element ein eigenes Signal und bietet so die maximale Aufl\u00f6sung bei einer sehr homogenen Abdeckung \u2013 sowohl im Pegel, als auch \u00fcber den kompletten Frequenzbereich. Die passenden\u00a0<\/span>Systemamps<\/span>\u00a0bieten im Zusammenspiel mit der VU-NET- und Display-<\/span>Software die perfekten Tools f\u00fcr ein gelungenes<\/span>\u00a0Event.<\/span>\u00a0<\/span>\u00a0<\/span><\/p>\n

Martin Audio wird in Deutschland durch\u00a0<\/span>die\u00a0<\/span>Audio-<\/span>Technica<\/span>\u00a0GmbH<\/span>\u00a0vertrieben.\u00a0<\/span>\u00a0<\/span><\/p>\n

\u00a0<\/span>Homepage von\u00a0<\/span>Event- & Veranstaltungstechnik Enchelmaier<\/span>:\u00a0<\/span>http:\/\/www.event-und-veranstaltungstechnik.de<\/span><\/a>\u00a0<\/span>\u00a0<\/span><\/p>\n

Mehr Infos zu den WPC-Line-Arrays<\/span>:\u00a0<\/span>https:\/\/martin-audio.com\/products\/series\/wavefront-precision<\/span><\/a>\u00a0<\/span>\u00a0<\/span><\/p>\n

Allgemeine Informationen zu Martin Audio<\/span>:\u00a0<\/span>https:\/\/martin-audio.com<\/span><\/a><\/p>\n

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