{"id":11320,"date":"2023-05-23T15:07:07","date_gmt":"2023-05-23T14:07:07","guid":{"rendered":"https:\/\/distribution.audio-technica.eu\/en-gb\/?p=11320"},"modified":"2023-08-03T15:07:19","modified_gmt":"2023-08-03T14:07:19","slug":"allen-heath-and-audio-technica-join-forces-to-bring-the-baboon-show-to-european-audiences-this-spring","status":"publish","type":"post","link":"https:\/\/distribution.audio-technica.eu\/en-gb\/news\/allen-heath-and-audio-technica-join-forces-to-bring-the-baboon-show-to-european-audiences-this-spring\/","title":{"rendered":"Allen &amp; Heath And Audio-Technica Join Forces To Bring The Baboon Show To European Audiences This Spring"},"content":{"rendered":"<p class=\"s4\"><span class=\"s6\">Formed in Stockholm in 2003, rabble-rousing Swedish punks The Baboon Show are currently marking their 20th anniversary on a European tour<\/span><span class=\"s6\"> in support of their tenth album, \u2018God Bless You All\u2019. <\/span><span class=\"s6\">Taking in dates across Spain, Poland, Austria, Germany and their homeland, the tour has seen the band\u2019s longstanding front-of-house engineer Chris Mock employing an Allen &amp; Heath <\/span><span class=\"s6\">dLive<\/span><span class=\"s6\"> digital mixing system and Audio-<\/span><span class=\"s6\">Technica<\/span><span class=\"s6\"> 3000 Series IEM wireless <\/span><span class=\"s6\">to deliver the band\u2019s potent brand of punk-rock energy.<\/span><\/p>\n<p class=\"s4\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-11322\" src=\"\/app\/uploads\/sites\/8\/AllenHeath_ChrisMock_BabboonShow_0071-1024x768.jpg\" alt=\"\" width=\"1024\" height=\"768\" srcset=\"https:\/\/distribution.audio-technica.eu\/app\/uploads\/sites\/8\/AllenHeath_ChrisMock_BabboonShow_0071-1024x768.jpg 1024w, https:\/\/distribution.audio-technica.eu\/app\/uploads\/sites\/8\/AllenHeath_ChrisMock_BabboonShow_0071-300x225.jpg 300w, https:\/\/distribution.audio-technica.eu\/app\/uploads\/sites\/8\/AllenHeath_ChrisMock_BabboonShow_0071-768x576.jpg 768w, https:\/\/distribution.audio-technica.eu\/app\/uploads\/sites\/8\/AllenHeath_ChrisMock_BabboonShow_0071-1536x1152.jpg 1536w, https:\/\/distribution.audio-technica.eu\/app\/uploads\/sites\/8\/AllenHeath_ChrisMock_BabboonShow_0071-2048x1536.jpg 2048w, https:\/\/distribution.audio-technica.eu\/app\/uploads\/sites\/8\/AllenHeath_ChrisMock_BabboonShow_0071-600x450.jpg 600w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/p>\n<p class=\"s4\"><span class=\"s6\">Mock opted for the <\/span><span class=\"s6\">super-<\/span><span class=\"s6\">compact <\/span><span class=\"s6\">dLive<\/span><span class=\"s6\"> CTi1500, with its weight-saving titanium <\/span><span class=\"s6\">sidepanels<\/span><span class=\"s6\">, connected to a <\/span><span class=\"s6\">dLive<\/span><span class=\"s6\"> CDM32 <\/span><span class=\"s6\">MixRack<\/span><span class=\"s6\"> for the <\/span><span class=\"s6\">shows, <\/span><span class=\"s6\">resulting in<\/span><span class=\"s6\"> a diminutive but powerful and flexible touring partner<\/span><span class=\"s6\">,<\/span><span class=\"s6\"> as he explains\u2026<\/span><\/p>\n<p class=\"s4\"><span class=\"s6\">\u201cThe <\/span><span class=\"s6\">CTi<\/span><span class=\"s6\"> was my first choice, since I normally tour with a <\/span><span class=\"s6\">dLive<\/span><span class=\"s6\"> C2500 surface. The set-up needed to be as small and lightweight as possible but working with iPads or laptops and touch screens <\/span><span class=\"s6\">only <\/span><span class=\"s6\">wasn\u2019t an option for me, so we decided on the beautiful CTi1500<\/span><span class=\"s6\">,<\/span><span class=\"s6\"> on which I can run the same setup already used on my C2500.<\/span><\/p>\n<p class=\"s4\"><span class=\"s6\">\u201cI love the almost analogue feel of working on <\/span><span class=\"s6\">dLive<\/span><span class=\"s6\">. It\u2019s really fast and intuitive in use \u2013 I work with a lot of effects and ride a lot of faders during the show and the CTi1500 allows me to mix in a very dynamic, hands-on way. It\u2019s a really great creative tool in that way.\u201d<\/span><\/p>\n<p class=\"s4\"><span class=\"s6\">A total of 32 inputs come from stage into the CTi1500<\/span><span class=\"s6\">,<\/span><span class=\"s6\"> including a pair of electric guitar mics<\/span><span class=\"s6\">, <\/span><span class=\"s6\">a \u201cdirt mic\u201d on <\/span><span class=\"s6\">Niclas<\/span> <span class=\"s6\">Svensson\u2019s<\/span><span class=\"s6\"> drum kit, ambient microphones etc. Despite its small <\/span><span class=\"s6\">footprint<\/span><span class=\"s6\">, the surface\/<\/span><span class=\"s6\">MixRack<\/span><span class=\"s6\"> combo handles FOH and monitor duties with ease, as <\/span><span class=\"s6\">Mock describes, \u201cAll signals are split internally, so each input has a channel for the FOH and another one for the in-ear mix which is sent to six stereo mixes. Our backline tech \/ monitor engineer uses an iPad connected to the CDM32 to make changes during the show and it works perfectly.<\/span><span class=\"s6\">\u201d<\/span><\/p>\n<p class=\"s4\"><span class=\"s6\">The power of the CTi1500\u2019s internal effects engine has also helped simplify Mock\u2019s workflow, negating the need for external plug-ins, \u201cI do have an optional Waves v2 card in my C2500, which I mostly use for recording,\u201d he explains, \u201cbut I stopped working with external plug-ins because, to be honest, the on-board tools in the <\/span><span class=\"s6\">dLives<\/span><span class=\"s6\"> are so good I <\/span><span class=\"s6\">really have everything I need.<\/span><\/p>\n<p class=\"s4\"><span class=\"s6\">\u201c<\/span><span class=\"s7\">I<\/span><span class=\"s7\"> use <\/span><span class=\"s7\">a lot of compression <\/span><span class=\"s7\">with The Baboon Show <\/span><span class=\"s7\">and love the parallel compression feature every compressor features. <\/span><span class=\"s7\">T<\/span><span class=\"s7\">he VCA spills<\/span><span class=\"s7\"> are also super useful<\/span><span class=\"s7\">, which opens up a whole new dimension of layers if you\u2019re working on a small <\/span><span class=\"s7\">surface<\/span><span class=\"s7\"> like the CTi1500. This way I can access all 64+ channels, groups, effect sends and returns on the 12 fade<\/span><span class=\"s7\">r<\/span><span class=\"s7\">s I have. I use some of the <\/span><span class=\"s7\">SoftKeys<\/span><span class=\"s7\"> for DCA spills which is amazing.<\/span><\/p>\n<p class=\"s4\"><span class=\"s7\">\u201c<\/span><span class=\"s7\">Besides that I love the new Bus Compressor which I combine with the multiband compression of the Dyn8 to glue my main mix together. This combination is a game changer!<\/span><span class=\"s7\">\u201d<\/span><\/p>\n<p class=\"s4\"><span class=\"s7\">The move<\/span><span class=\"s7\"> from<\/span> <span class=\"s7\">traditional wedges to<\/span><span class=\"s7\"> an in-ear monitoring system <\/span><span class=\"s7\">is not always easy and, as Mock says, took some adjust<\/span><span class=\"s7\">ing<\/span><span class=\"s7\"> to but the Audio-Technica 3000 Series IEMs in conjunction with the CTi1500 made things as easy as possible. \u201cThe band loves the sound of the Audio-Technica system and it\u2019s really easy and quick to set-up. The crew really appreciate the <\/span><span class=\"s7\">simple <\/span><span class=\"s7\">design and functionality of the IEMs and the Wireless Manager software really unlocks the power of the system. <\/span><\/p>\n<p class=\"s4\"><span class=\"s7\">\u201cThe band are super happy and I can\u2019t imagine them ever going back to wedges.\u201d<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Formed in Stockholm in 2003, rabble-rousing Swedish punks The Baboon Show are currently marking their 20th anniversary on a European tour in support of their tenth album, \u2018God Bless You All\u2019. Taking in dates across Spain, Poland, Austria, Germany and their homeland, the tour has seen the band\u2019s longstanding front-of-house engineer Chris Mock employing an [&hellip;]<\/p>\n","protected":false},"author":20,"featured_media":11321,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[13],"tags":[],"class_list":["post-11320","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-allen-heath"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Allen &amp; Heath And Audio-Technica Join Forces To Bring The Baboon Show To European Audiences This Spring - EN Audio-Technica Distribution<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/distribution.audio-technica.eu\/en-gb\/news\/allen-heath-and-audio-technica-join-forces-to-bring-the-baboon-show-to-european-audiences-this-spring\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Allen &amp; Heath And Audio-Technica Join Forces To Bring The Baboon Show To European Audiences This Spring - EN Audio-Technica Distribution\" \/>\n<meta property=\"og:description\" content=\"Formed in Stockholm in 2003, rabble-rousing Swedish punks The Baboon Show are currently marking their 20th anniversary on a European tour in support of their tenth album, \u2018God Bless You All\u2019. 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